06 July 2010

Dr Strangelove; or How I stopped worrying and started loving the bomb

When I heard a lot of people rating this as one of the, if not the best movie ever seen; I was wondering what was so special about it. But watching this movie was the most-shockingly real film experience I have had this year; and maybe all-time. More on that later. First off, I have always been a fan of Stanley Kubrik's craft. But I have always had a feeling that his movies had an unwatchable quality about them. Of course, it was intense viewing. But the best movies in the world are those which pass quickly like a bullet while subtly pervading your thought process for a long time. The Matrix movies did that (the first more than any other). Jurassic Park, for all its simple-minded conception, did that. Jaws did that. Eternal Sunshine of the Spotless Mind did that. Most of Woody Allen's film, do that. However, Kubrik's films are not known for this quality. Clockwork Orange was twisted as twisted can be. 2001: A Space Odessey is almost a prophetic film. Eyes Wide Shut is a meditation in perversion. However, all these movies take themselves too seriously for the viewer to have an unobstrusive sight of what is going on in the story. I like the fact that Kubrik can work on such a vast canvas while other "big name" directors are stuck with the same frigging theme for decades (*cough* James Cameroon *cough*). However, none of his movies made an effort to "connect" with the audience; except perhaps The Shining.

This was my opinion, until I saw Dr Strangelove. Please do not get put off by the most boring five minutes in all film history (exaggerating) just after an impressive start. The movie takes a little time to heat up. What follows is perhaps the darkest of black comedies as well as a realistic and possible tragedy of the infinite human capacity to screw things up. The disclaimer on the top of the film is from the US Air Force assuring that the events depicted in the movie cannot happen in real life (due to the precautions they have taken). If you can feel a nervous undertone to that voice, don't be surprised. For this is definitely the most dangerously "real" film not for no reason. Many things depicted here are, and I quote from another excellent Anti-War film, The Men Who Stare at Goats, More of this is true than what you might imagine. The polemic that the movie tries to set up is simple; there is, on the one hand, enough fire power to destory completely the entire planet and on the other hand, the access to this power in the hands of few men, who could be just as fragile or unstable as every other human being in the world. The threat of Purity of Essence has played itself over and over, so many times, that it is uncomfortable to think that nobody has ever done to change the equation of power balance.

The plot is way too simple. At the height of Cold War, an American general whose mental stability is questionable has launched unilaterally an attack on 34 strategic points of Russia. What follows is chaos as the President and other people in the war room literally bite their nails trying to crack the foolproof plan in activation. The idea of power and the corrupting influence of power is foregrounded in this movie; however the darker/deeper fact that even without this corruption, there EXISTS an infrastructure which is ready to attack and destroy completely another nation of the world. This brings us to the next big concept of the movie.

The Doomsday Device

The idea of the Doomsday Device is that it is a failsafe that would automatically kick in when a certain number of parameters are just right. Nobody can deactivate it. Nobody can control it. It's very existence is supposed to deter everyone from even thinking about war. This is the most ironic thing about the movie; that the best peace-keeping force in existence in the world, is a force that can destroy the world. Would it not be simpler to negotiate peace as an everyday process? As a mode of life? No. It would not work because it is too unrealistic to expect people to just mind their own business. And therein lies the most likeable experience of being told, how the human species is simply incapable of just letting things be.

The last thing I would like to bring to your attention is the name of the film. It is titled Dr Strangelove, after a German scientist who has changed his name after moving to America post WWII. Not the obvious choice, one would say. The scientist is unsuccessful in his attempts to repress his natural sense of loyalty towards his Fuhrer, Adolf Hitler. One can only wonder why that is... For the name of his lord has changed but the roles they play and the needs of their position have not changed. Beware, Kubrik seems to warn us, that you may be turned into this unfortunate creature called Strangelove...

1 comment:

Prez said...

Oh my God. I am so grateful to you for writing this post. I've had this movie for ages (heard about its place in film history but mostly because of two words-PETER SELLERS) and I've recently been debating its inclusion in a film screening by our IR club at college. Lent it to a friend to evaluate its prospects but still haven't watched it because of the boring 5 minutes! Now I will watch it for sure